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Showing posts with label Rio de Janeiro. Show all posts
Showing posts with label Rio de Janeiro. Show all posts

Favela Tourism: visiting Santa Marta in Rio de Janeiro, Brazil

Praça Cantão (Cantao Square), well-known for its colorful houses as part of he Favela Painting Project of Hass and Hahn.  Photo copyright Nohelia Sanchez / www.rdj4u.com for www.TravelBoldly.com
Praça Cantão (Cantao Square), well-known for its colorful houses as part of he Favela Painting Project of Hass and Hahn. Photo copyright Nohelia Sanchez / www.rdj4u.com for www.TravelBoldly.com
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Visiting the Favela or Shantytown of Santa Marta in Rio de Janeiro, Brazil

by Nohelia Sanchez

I've been to Rio many times, the first time being in 1999, when I was scared at the very thought of entering a favela. However, several years have passed since then, and seen the pacification of many favelas in Rio. I have to confess that even so I was skeptical about taking a favela tour. I'm originally from Colombia, a country with no fewer social problems than Brazil, and I was lucky enough to be able contribute to different types of social projects from different perspectives there. I think one has to try some things themselves in order to obtain more knowledge of a particular subject, so I decided to visit Favela Santa Marta and try out a guided tour through a pacified slum in Rio.
Santa Marta favela has an impressive view of the Corcovado and Rio's exotic nature. Photo copyright Nohelia Sanchez / www.rdj4u.com for www.TravelBoldly.com
Santa Marta favela has an impressive view of the Corcovado 
and Rio's exotic nature.

The first thing I learned is that everything depends on the view of the traveler. I saw a lifestyle that has a lot to do with the way Brazilians are, not because of their infrastructure conditions, but because of their personalities: their friendliness, their relaxed style and their happiness despite all their problems. Cariocas are full of kindness and charisma.

Favela Santa Marta is located on the hills between Botafogo and Laranjeiras, two medium-high class neighboorhoods in the Zona Sul. The favela tour that took us there began with a short trip through Tijuca, Forest, where we had the chance to see wonderful views of Rio. No amount of admiring Rio’s beauty is ever enough.

First impresions of Santa Marta favela in Rio de Janeiro, Brazil. Photo copyright Nohelia Sanchez / www.rdj4u.com for www.TravelBoldly.com
First impressions of Santa Marta favela in Rio de Janeiro, Brazil.
We started from above, where we had a commanding view over the favela with its little houses, Corcovado and the famous beaches of Copacabana & Ipanema in the Zona Sul. The first thing we noticed were a cable car that had recently been built in order to facilitate transportation within the favela, and a wall with gunshot scar from the time when crime prevailed in the neighborhood. It was in 2008 that the police took control of the favela and placed what is called a Pacified Police Unit there. Still, having such a tangible image of the gunshot scar gave me a sensation of vulnerability mixed with helplessness. I could not fathom what had happened on these streets and knew that it was likely I’d never find out.

I was very curious about how the inhabitants of the favela would receive the tour especially after

reading all the forum posts about favela tours. I
A colorful wall with bullet holes welcomes visitors to the Santa Marta Favela in Rio de Janeiro, Brazil. Photo copyright Nohelia Sanchez / www.rdj4u.com for www.TravelBoldly.com
A colorful wall with bullet holes welcomes visitors to the
Santa Marta Favela in Rio de Janeiro, Brazil.
believe the resident's of the favelas were just as curious about us as we were about them. Especially the kids, who seemed very used to receiving visitors. I felt almost invisible. We were very respectful and tried not to be too intrusive, after all, it was a walking tour like any other, whereby you visit and admire their way of life, their communal areas, and learn about  their customs. Visiting the favela made me admire their strength, and made me realise that those who have so much more appear to do far less with their lives. We visited the community centre and met with some of its leaders. They explained how they work with the community and about the challenges and the accomplishments of those living in this favela. I then realized that no matter how few resources you have, with the right amount of help, effort and positive ambition, you can achieve your goals.

Santa Marta’s narrow streets: many stairs and small windows in the favela. Photo copyright Nohelia Sanchez / www.rdj4u.com for www.TravelBoldly.com
Santa Marta’s narrow streets: many stairs and 
small windows in the favela.
After this cultural experience I can say that the most exciting moment for me was seeing the wall Michael Jackson signed when he recorded the video for They Don't Care About Us and the statue which was put up a year after the singer died. To me this was a sign that Michael was seen as a ‘king’ in Rio too.

We continued our favela tour through the narrow streets to reach Praça Cantão (Cantao Square), well-known for its colorful houses as part of the Favela Painting project of Haas & Hahn. These two Dutch artists had the idea of creating public works of art in the favelas in Rio. The project was carried out with the participation of the community’s youth. It is now the centre of the social and commercial activity of the favela. We also had the chance to visit also their samba school Mocidade Unida do Santa Marta, which is located at the base of the favela.

With many thoughts in our heads and newly embraced feelings in our hearts our driver picked us up at the entrance of the favela to return us to our our unreal hotel reality in Rio.
Nohelia Sanchez poses with a statue of Michael Jackson in Santa Marta Favela in Rio de Janeiro, Brazil. Photo copyright Nohelia Sanchez / www.rdj4u.com for www.TravelBoldly.com
Nohelia Sanchez poses with a statue of
Michael Jackson in Santa Marta Favela
 in Rio de Janeiro, Brazil.

Happy travels!
Nohelia Sanchez / www.rdj4u.com

Defying the Sand Thieves or How Not to Get Robbed Photographing on Copacabana Beach, Rio de Janeiro, Brazil

A composite of images of Maisa Soares Silva modeling on Copacabana & Ipanema Beach  in Rio de Janeiro, Brazil. Photo: copyright Jerome Shaw / http://www.JeromeShaw.com
A composite of images of Maisa Soares Silva modeling on Copacabana & Ipanema Beach
 in Rio de Janeiro, Brazil. Photo: copyright Jerome Shaw / http://www.JeromeShaw.com
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A photo composite of some of my favorite images of Maisa on the beaches of Copacabana and Ipanema. She is a very natural model as well as a lovely person. The background image is of the sunrise in a grove of palm trees just off the boardwalk in the center of Copacabana Beach.

But for the personal relationship we made with one of the beach chair and umbrella vendors this photo shoot might not have turned out so well.  As I was making these photographs early one morning I heard Gustavo calling out to me from yards down the beach – he was excitedly waving his arms and gesturing.  I thought it a bit odd that he was so friendly at that time of the morning. He surely knew we were not in the market for beach chairs and beer.  I put down to him being friendly and went on photographing.

Maisa Soares Silva on Ipanema Beach in Rio de Janeiro,  Brazil. Photo: copyright Jerome Shaw / http://www.JeromeShaw.com
Maisa Soares Silva on Ipanema Beach in Rio de Janeiro,
 Brazil. Photo: copyright Jerome Shaw / http://www.JeromeShaw.com
It was not until some time later when we were in the market for beach chairs that the full scope of the event became apparent to me. Gustavo had spied a group of well known (well known at least to him) “sand thieves” that work Copacabana beach robbing tourists of their possessions. He called out to us not so much to wish us a good morning as to alert the “sand thieves” that we were one of his friends/customers and that he was watching and watching out for us. Unbeknownst to us we were under his protective custody while we were on ‘his’ beach.

All I can say is – it pays to make friends when you are traveling.  I make it a priority to find a coffee shop, a bar, a restaurant, and in this case a beach chair guy when I get to new destination.  For the most part I just like developing a familiar place in the midst of so many unfamiliar surroundings.  It is nice to see a smile of recognition when you walk into the bakery each morning to buy your coconut bread or in the corner shop when the clerk helps you with the word for pasts (massa) because he remembered that the last time you were in you couldn’t remember it either.

In this case developing a go to guy on the beach helped me keep my camera equipment.


These photos was taken with Nikon F100 & FG film cameras using Nikkor lenses from 20mm to 400mm. The film used for this image is Fujicolor Superia 200, the exposures vary. The photos were taken in early morning light.

Midnight in the Garden of Good & Wobbly. The bar of the Matadors. A boat ride back to El CID. Lost in Mazatlán again.‏


Beautiful young woman peeks from behind her mask Carnival Mazatlan, Mexico. Photo: Jerome Shaw for TravelBoldly.com
A beautiful young woman peeks from behind her mask during Carnival celebrations in Mazatlan, Mexico. I am on three year mission to visit the three largest Carnival celebrations in the world. Last year I was in Mazatlan, this year I am in New Orleans and next I am going to blame it on Rio. Photos Jerome Shaw
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Midnight in the Garden of Good & Wobbly.
 

The bar of the Matadors. A boat ride back to El CID. Lost in Mazatlán again.‏

by Jerome Shaw

Last year during Carnival I was in the midst of week long siege in Mazatlán. This year I am in New Orleans for Mardi Gras.  I am in year two of a three year binge, working my way up from the third largest Carnival celebration to the number two this year and next year I take on the granddaddy of them all. No not the Rose Bowl, Carnival in Rio de Janeiro.

More on New Orleans later but right now I am in a reflective mood. I am thinking back to last year and a couple of all nighters in Mazatlán. In the intervening year the days have melted together into one elongated Carnival parade featuring a unique cast of characters, hours of walking and dozens of beers and margaritas. 

Sax Player Machado Square Carnival Mazatlan, Mexico. Photo: Jerome Shaw for TravelBoldly.com
Sax Player Machado Square Carnival 
Mazatlan, Mexico.
Many late night events have no photos of them. On a couple of the nights after the officially sanctioned events end and our guides and minders leave us to our own devices to find our way back to our hotels. I decided that discretion was the better part of valor and I sent my camera equipment back to the hotel with our driver. While Mazatlán may be safe during Carnival, putting several thousand dollars of equipment in the hands of a drunk didn't seem prudent. 

So now liberated from the constraints of keeping track of cameras and phones I could get my party on. 

And that we did. Mike Fisher, a travel writer and humorist from Calgary, and Craig Zabransky, a blogger from New York and I set out to truly experience Carnival. Not sanctioned events from VIP enclaves but from the man on the street vantage of the allnight block parties and open all night bars. 

I have to say it was not a preplanned, forgone conclusion that I would forsake the safe and easy van ride back to El Cid with the tour guide Adolpho and the PR representative Ashley. It was a spur of the moment decision egged on by Mike and Craig and further fueled by a generous amount of alcohol. I have no doubt that they'd say the exact opposite. That it was all my idea and if I hadn't have been so gung-ho for the adventure of experiencing Carnival they'd never thought to do it. Such it the nature of male peer pressure. No one wants to wimp out. 

So it was after much food and wine at the wonderfully situated VIP party and having watched a grand fireworks display over the bay looking out from the Pedro Infante memorial overlook, that the three caballeros set out for ... we knew not where. 

Fireworks recreating the naval battle with the French.  Photo: Jerome Shaw for TravelBoldly.com
Fireworks over Olas Altas recreating 
the naval battle with the French during 
Carnival in Mazatlan, Mexico.
I can't speak for the others but I'd already had a considerable amount of alcohol. On a normal night I'm sure I'd have been content to slip snugly into bed and slide quickly into a deep sleep. 

Tonight was not an ordinary night.

Once we made our way out of the security of the VIP party we are swept up in wave of people flowing down the street. About all I knew was we were headed back in the direction of the Shrimp Bucket where we had had dinner earlier in the evening. This much I knew but just exactly where we are or where we are going I have no idea. 

We are looking for a party but also trying not to lose each other. More alcohol seemed the first order of business. We spied a beer tent with girls clad in blue and silver spandex advertising Pacifico beer. We were stopping for beer whether we needed it or not. I tried to make small talk with the tall brunette beer goddess. I don't think she even noticed. Now beers in hand we looked for a stage to stand near. We were enthused by the vitality of the crowd. It was difficult to find a place to stand still, there were two currents of people flowing by us as we watched the band and occasionally broke into dance. Craig decided to go for more beer or the bathroom or both. Mike and I agreed to stay put until Craig returned. Mike and I shout-talked at each other above the music and everyone else’s shout-talking. I don't know why we felt so invigorated but we did. 
The currents of the crowds on Olas Altas sweep down the street   during Carnival in Mazatlan, Mexico. Photo: Jerome Shaw for TravelBoldly.com
The currents of the crowds on Olas Altas sweep down the street  
during Carnival in Mazatlan, Mexico.
Further proof that this was not a well planned assault on Mazatlán Carnival was that none of had that much cash. I had a credit card but only few Pesos and maybe $30US. Mike not much more with Craig being the high roller of the group. So there we were partying like Rock Stars, albeit broke rock stars. 

I can't recall if the music ended or changed at the stage we were near but we moved on down Olas Altas beach again in the direction of The Shrimp Bucket, my Northstar for the night. 

Much of the reason for the decisions that were made this night remain a mystery to me and most probably they were a mystery to me that night as well. 

The burning of bad humor in front of the  Shrimp Bucket on Olas Altas. Carnival   Mazatlan, Mexico. Photo: Jerome Shaw for TravelBoldly.com
The burning of bad humor in front of the 
Shrimp Bucket on Olas Altas. Carnival  
Mazatlan, Mexico.
I remember we listened to a lot of music - stopped by many bars - sat on two or three patios - drank more beer.

At some point we decided to seek the refuge of another of our home bases Pedro Y Lola’s in Machado Square. It was not a direct beeline we made for Pedro Y Lola’s but ambling wander. We were dead reckoning our way to Machado Plaza with Mike, Craig and I all providing varying coordinates for the trip. We were furthered hindered in our journey by encountering more block parties, more beer and more dancing. I might be exaggerating about the dancing, I can't remember but there was most definitely more beer.  Mike and my debt to Craig was increasing block party by block party.

Eventually we staggered into Machado Square at the far end from Pedro Y Lola. We made our way through the people-filled plaza and onto the patio of Pedro Y Lola. We were definitely hoping we see El Flaco AKA Alfredo, the owner of Pedro Y Lola.  We were not disappointed Alfredo greeted us as long lost friends.  He was right about the lost part.  

The hour was getting late and it is safe to say we were all beginning to think about how we were going to navigate the nearly 5 miles from Historico Centro Mazatlán to our hotel in Zona Dorada. We asked El Flaco hoping he had a secret stash of taxis at the back of Pedro y Lola but no such luck.  He did recommend that we walk away from the Machado Square and towards the Malecon. He assured us we'd have a better chance of finding a taxi if we got 8-10 blocks from the Machado Square.  

He wasn't exactly right.

Soft shadows of the palm fronds on the balcony above Pedro y Lola in Machado  Square. Carnival Mazatlan, Mexico.. Photo: Jerome Shaw for TravelBoldly.com
The soft shadows of the palm fronds on
the balcony above Pedro y Lola in 
Machado Square. Carnival Mazatlan, 
Mexico.
Again we were dead reckoning. In retrospect perhaps it was a mistake to abandon my phone but finding a cell signal or wifi would have probably been just as unlikely as finding a taxi. Appropriately we wandered down Avenida Carnaval in what to my way of thinking was toward the Malecon and Avenida del Mar. Mike and Craig were not nearly as certain. Unfortunately we were wandering and taxi hunting with a few dozen other tired Carnival revelers.

To the astonishment of Craig and Mike I led us to the Malecon.  I have to admit I was slightly surprised myself. No empty taxis insight. Things were looking desperate. And, as we all know desperation breeds creativity. It was now only an hour or less in front of sunrise. We had joined the water near the Monumento al Pescador.  The translation, for gringo's like me, is Fishermen's Monument. Fishing boats are scattered along the beach. Mike or Craig - I am not sure which decided our best plan of attack at this point was to wait for sunrise and see if we could hire a fishing boat to take us to El Cid Marina Hotel, which for Mike and I was home. Craig was staying even further north but at least he’d be closer to home at El Cid. While Mike and Craig scoured the shore for fisherman and a boat to hire I sat down to rest and took off my shoes to soothe my aching feet under a fiberglass statue of Marilyn Monroe. I wasn't very confident in the fishing boat plan but didn’t have a better idea myself. Then suddenly I saw a pulmonia and there was no one in it. It was going the wrong direction but even so I shrieked at the driver and started running barefoot, shoes in hand, waving and flailing at the now stopped and startled driver. Mike and Craig must have heard my shouts and abandoned their fishing boat search. Craig, with his superior Spanish took over negotiations and we soon piled in and were feeling the fresh air of a open ride back to Zona Dorada. It seemed to take a long, long time to reach El Cid but about all I could think was how glad I was that I wasn't walking. Mike and I swapped stories on the ride back while Craig upfront chatted with driver. There were we heading home from a long night of partying as the colors of sunrise seeped into the sky, relieved to live to party another day.

We took a couple of days of the all night party scene but the aching feet and memories of too much alcohol faded and there we were again stepping off the PR bandwagon and searching for a taste of the real Carnival again.

My last night of Carnival at  Pedro y Lola in Machado Square.  Carnival Mazatlan, Mexico.  Photo: Jerome Shaw for TravelBoldly.com
My last night of Carnival at  Pedro y Lola in Machado Square. 
Carnival Mazatlan, Mexico.
I remember far less about our last night during Carnival except that it also lead to Pedro y Lola, included even more participation from El Flaco and featured a mariachi band and a electrical jolt machine (read more about that in Mike's article "Life is a Carnaval in Mazatlan - Pushing the limits with food, drink and fun" in WestJet’s UP Magazine.) 


At some point during the night the three musketeers found our way to the bar of the Matadors, where we met one of the forcados, from the bullfight we had attended earlier in the day. You'll have to rely on Wikipedia for an explanation of what forcados do but suffice to say these guys are absolutely crazy. All that stuck with me from this alcohol addled conversation with the diminutive madman was that the bull ears, that had been shorn off and given to him by the matador (for being such a courageous and helpful forcado) were in back of the bar immersed in salt. That image remains with me to this day as one of those non-digital images forever impressed upon the capture device in my brain. I can't seem to find the delete button for that image.

Things went even hazier from there.  I do recall we eventually wound at El Flaco’s home a few blocks from Pedro y Lola. There we learned a lot of history about old Mazatlán and Alfredo’s family and of course we had a few more beers and drinks. 

Somewhere about that time my memory shut off completely and I was lost in Mazatlán again and hoping to locate a fishing boat to take me home.

~~~

My trip to Mazatlán was sponsored in part by GoMazatlanNow.com and VisitMexico.com

Tram to the top of Sugarloaf / Pao de Azucar - Rio de Janeiro, Brazil


Tram to the top Sugarloaf Mountain - Rio de Janeiro, Brazil. Copyright Jerome Shaw 2005 /  Travelboldly.com
The tram to the top of Sugarloaf / Pao de Acucar , the majestic peak that rises 1300 ft./ 400 m above Rio de Janeiro, Brazil  --- Cidade Maravilhosa. Praia Vermelha / Red Beach is visible in the lower right and Copacabana Beach in the center left to the upper right.
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Tram to Sugarloaf



The tram up Sugarloaf / Pao de Acucar takes visitors to the top of the majestic peak that rises above Guanabara Bay in Rio de Janeiro, Brazil. This 1300 foot/ 400 meter granite peak is thought to be millions of years old. And, there is no question that Sugarloaf is one of the most marvelous sights in the Cidade Maravilhosa and provides inspiring views of Rio. In the photo above you see the Praia Vermelha / Red Beach in the lower right and Copacabana Beach, sweeping in a crescent from the center left to the upper right.

Rio de Janeiro is one of the most geographically blessed cities on the planet and Sugarloaf Mountain is one of the most recognizable visual assets of Brazil's second largest city. From the top of Sugarloaf you can see almost every one of the nearly 12 million people in the photogenic megalopolis (Six million people live in Rio proper.)

The original cable car system was conceive in 1907 by the Brazilian engineer Augusto Ferreira Ramos. In 1910 Ramos founded the Society of Sugarloaf and work began on the monumental project, with much of material having to be hauled up the steep terrain by mountain climbers. The tram opened in 1912 with painted wooden cars.  These cars were used for 60 years until 1972 when the system was completely rebuilt.  The cars have been periodically upgraded over the last few years with more modern cars. The last major renovation coming in 2008 and 2009 prior to the 100 anniversary of the legendary tram that was once featured in the 1979 James Bond movie Moonraker, in which the evil villain Jaws (Richard Kiel) tries to kill 007 (Roger Moore) and Dr. Hollie Goodhead (Lois Chiles.)

The tram trip ot the top of Sugarloaf is separated into two 3-minute sections.  The first section begins at Praia Vermelha / Red Beach and rises to the top or Morro da Urca / Urca Hill at an altitude of 720 feet / 220 meters. The midway point features a restaurant, a café, a snack bar, souvenir shops, and a play area for kids. Take some time here to shoot a few photos especially of downtown Rio and watch the airplanes landing at the Santos Dumont downtown airport. While the views on top of Sugarloaf are monumental the view of downtown is a better photo from the top of Urca Hill. From the top of Sugarloaf you'll see the famed beaches of Copacabana and Ipanema, Tijuca Forest, the world's largest urban forest and Corcovado Mountain, featuring the Christ the Redeemer statue.

You should plan on at least four hours for your trip up and back on the Sugarloaf Mountain tram. The cars leave the base station every half hour between 8 a.m. and 10 p.m. so consider a late afternoon trip to the top for a spectacular sunset and night time views of Rio de Janeiro. The cost for adults is approximately US$25, depending upon the exchange rate, with kids tickets going for about half that.

The tram is not the only way to reach the summit of Sugarloaf, whose name was coined by Portuguese inhabitants in the 1600s. They named the peak Pao de Acucar for its resemblance to a loaf of refined sugar, which at the time was one of the areas chief exports. Hiking up the mountain on the rear side is possible for the intrepid. The route is challenging and some climbing is required. Another caveat is that tickets for a downhill ride are not available at the top of Sugarloaf so plan ahead and buy a ticket for the decent in advance.

~~~

This images is copyrighted and may not be used, reposted, or reproduced without direct written permission. Please feel free to share the image on Pinterest and Facebook.

Jerome is the founder and editor of Travel Boldly. He was a commercial photographer in Aspen, Boulder and Denver, Colorado for 30 years. His adventures in travel began helping his father Ernest deliver J. I. Case tractors all over Southwest Nebraska, Northwest Kansas and Northeast Colorado. You can find him on Twitter and Google+







“ Why Is That Guy Taking My Photo?” Horse cart Jardim Redentor, Rio de Janeiro, Brazil

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Horse Cart Jardim Redentor, Rio de Janeiro, Brazil .Copyright Jerome Shaw 2005 / www.JeromeShaw.com


Why Is That Guy Taking My Photo?”



The movement of goods by horse power is quite common in Jardim Redentor and other parts of Brazil. While I cannot recall seeing horses drawn delivery vehicles in Copacabana or Ipanema I did see many bicycle and motorcycle delivery vehicles. Perhaps this method of travel will reinvent itself in the US now that gas prices are rising toward international levels. Perhaps the US economy will truly have to join the rest of the world with what some might call a step backwards but what I’'d call progress... economic and environmentally friendly delivery methods.

A horse cart whizzes down the street in the Northwestern suburb of Rio de Janeiro moving at a surprisingly quick clip.  I swing in a panning motion to capture this moment. The driver of this cart ponders what could be so interesting about a passing horse cart that it would merit such an overt action and a photograph. His expression tells a lot about the cultural divide that exists from one part of the world to another. I hope this divide never fully closes.

The photo was taken with a Nikon F100 film camera using a 400mm f 4.5 Nikkor lens. The film used for this image is FujiPress 800. The approximate exposure is f 8 @ 1/250th second.

These images are copyrighted and may not be used, reposted, or reproduced without direct written permission.

Contact me at @JeromeShaw  or Facebook 

Copyright Jerome Shaw 2005 / www.JeromeShaw.com 



Brazil Butts - Copacabana Beach, Rio de Janeiro

Brazilian Bikini / Brazilian Butts Copacabana Beach Rio de Janeiro, Brazil Copyright Jerome Shaw 2005 / www.JeromeShaw.com
Americans maybe obsessed with breasts but in Brazil, butts are king.  Though, well cleaved breasts are a close second. Rio is a very sensuous place to photograph and presumably to live.


Brazilian Butts

Photographing in Brazil was like a "day at the beach" for me.

While going topless on public beaches in Brazil is not common, the wearing of thongs and floss bikinis is de rigueur.  Brazilian girls and women proudly display their derrières, whether well-formed or not. You can certainly spot the the local gals on the beach as differentiated from most of their North American tourist sisters by their "granny panty" bikinis.

Are you brave enough to wear a Brazilian Bikini?  This question applies to the guys as well.  As opposed the long baggy shorts the gentleman in this photo is sporting, many Brazilian males wear a straight-leg cut and very brief, brief-style swim trunks at the beach.  Men's trunks in Brazil are not dissimilar from the Speedo-style swim trunks sometimes referred to as banana hammocks or budgie smugglers. Thankfully (in my opinion) thongs are not commonly worn by men on Brazilian beaches as in this photo.

Butts are king in Brazil.  Brazil even exports a video exercise series to the USA just to emphasize the notion that a large, well-rounded backside is the key to a woman's happiness and by extension that of her man's.

Brazil has given the world many amazing inventions, innovations and products over the years from cashews to açaí na tigela / açaí berry ice to Cachaça. Brazil has transformed musical tastes with the Samba. Bossa Nova and Forró.  Yet, it seems that some of the most impressive items Brazil has contributed to world culture come in the form of items that relate in some way to the feminine form.

The Brazilian wax is one of the most notorious. The Brazilian bikini is another - which came first the bikini or the wax?  Now they give us the exercise regime that creates the overly plump posteriors so prized in Brazil.

Don't worry be happy. Get your Brazilian butt exercise program on DVD or BluRay via late night TV.

Ladies, if you were vacationing in Brazil would you wear a Brazilian bikini?  Do you prefer men in the long baggy shorts or would you like to see your man in the Brazilian trunks?  I hesitate to ask the guys for any comments on this photo but, guys are you in favor of Brazilian bikinis and butts?  Does size matter?


Contact me at @JeromeShaw  or Facebook 

copyright Jerome Shaw 2005 / www.jeromeshaw.com





"Thoughtful Grey Hair" -Jardim Redentor, Rio de Janeiro, Brazil

Thoughful Grey Hair - Jardim Rendentor, Rio de Janeiro, Brazil - Copyright Jerome Shaw 2005 / www.JeromeShaw.com
One of the many scenes of daily life in the town of Jardim Redentor near Rio de Janeiro Brazil. 

Thoughtful Grey Hair

I enjoyed photographing in Jardim Redentor perhaps more than any where else during this my first visit to Brazil. Jardim Redentor is a Northwestern suburb of Rio de Janeiro a bit past the end of the Northern metro train line.

I enjoyed documenting the small moments of daily life in this rather large "small town."  Rio de Janerio is so very large with over 12 million people in the metro region. While part of this immense city, Jardim Redentor has all the qualities of a small town. I loved seeing life lived out in the open and on the streets.

I made a few photos of this thoughtful man with grey hair against this colorful background of empty beer crates, water bottles, and bags of what I guessed to be charcoal. Another of the ordinary moments of life in Jardim Redentor. This photo was made with a Nikkor 400mm lens both to capture a candid moment and to compress the space.  The photograph was made on transparency film then scanned to a digital file.

These images are copyrighted and may not be used, re-posted or reproduced without direct written permission.

Contact Jerome at @JeromeShaw  or Facebook 

copyright Jerome Shaw 2005-2013 / www.jeromeshaw.com



>>>

"Proud Smile" Jardim Redentor, Rio de Janeiro, Brazil





Proud Smile - Jardim Redentor - Rio de Janeiro, Brazil - copyright Jerome Shaw 2005 / www.jeromeshaw.com
"To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event."~Henri Cartier-Bresson

"Proud Smile"

I was out one day in Jardim Redentor walking along the main street. I noticed a woman in a beauty parlor.  She noticed me noticing her and smiled shyly. I asked Maisa to speak to her and ask her if I could take her photo. She was shy and reluctant at first. She and the other women in the shop had a good laugh and she wondered "why did I want to take her photo?" I told her she was a very beautiful woman, her hair looked so good, and she had such a nice face. She relented.

She came out into the street where the light was better.  I took three photos.. In the first she was very grim. In the second I managed to make her smile but she over smiled with forced nervousness in her eyes. However just fractions of a second after the forced smile the third frame was exposed. Her smile had softened slightly and her eyes had more warmth. A small and subtle difference but very noticeable.

I am sorry that I did not note her name. Though as we walked away Maisa told me that by asking for her photo I had made her day. She was extremely proud that I had asked to make her photo, Maisa said she will likely be smiling about this moment for weeks.

I was glad to give her this moment for she gave me a very nice moment too. I felt a warmth as we continued walking down the street. And, I revisit this warm feeling each time I see this photo.

Condensed Caption

"Proud Smile"
While on a walk along the main street in Jardim Redentor
I saw this woman in a beauty parlor. Coaxed out from the
shadows for a photo, she gives me a proud smile.


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copyright Jerome Shaw 2005 / www.jeromeshaw.com

"Papayas" Bairro Peixoto Market, Copacabana, Rio de Janeiro, Brazil

Standing sentry, the two shards of papayas glow with freshness in the market at
Bairro Peixoto in Copacabana.



"Papayas"

One of my favorite things to do was to go to the open air markets that were held in Copacabana not far from our apartment each Sunday and Wednesday. The market at Bairro Peixoto, held on Wednesday, was by far my favorite. Even in only the month that I was in Brazil, I began to know some of the market vendors. Or more precisely, I think it is fair to say, they began to know me, at least by sight. I always went to the market with my cameras. I stuck out like a sore thumb even without the tangle of photo gear twisted around my neck, but being towed around the market by Maisa I became even more noticeable.

I was forever being offered samples of papaya, mango, jackafruit, banana, and other fruits I often did not recognize. By the time I had circled the square I had a nice snack. It was not just a friendly gesture, as they were vying to curry favor with me for their products. They did this even knowing that it was not I but Maisa that was doing most of the shopping.

A trip to this market was a great treat for the taste buds and for the eyes. Many of my favorite photos from my time in Rio de Janeiro came from these forays to the open air markets. I did develop my favorite vendors and began to discern between the better and the best of them.

Now that I am back in Colorado I can barely tolerate the bananas we have here and I long for freshly made mango juice and a cold slice of papaya with my coco bread for breakfast.

Condensed Caption
"Papayas"

Standing sentry the two shards of papayas glow with freshness in the market at Bairro Peixoto in the Copacabana section of Rio de Janeiro, just blocks way from the famous beach.

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copyright Jerome Shaw 2006 / www.jeromeshaw.com

"Boys of an Eternal Summer" - Jardim Redentor, Rio de Janeiro , Brazil

These boys interrupted their football game to pose for me through a hole in the playground fence.

"Boys of an Eternal Summer" Jardim Redentor, Rio de Janeiro , Brazil


Four boys take a break from their football game to pose for photo through a hole in the playground fence.

I took many walks around the streets of Jardim Redentor during my three visits to this area. I enjoyed seeing the vibrancy of the people as they lived out their lives. I am from a very small town in Southwestern Nebraska and at times Jardim Redentor reminded me of my tiny home town, Hayes Center. Well .... except for all the people, as there were only about 250 residents in Hayes Center when I last visited. I know I saw more people on the streets in Jardim Redentor within the first few blocks of any of my walks. Yet, the feeling of small town community existed on the streets of Jardim Redentor.

The photo was taken with a Olympus D590 digital camera on automatic exposure and the lens on wide angle.

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copyright Jerome Shaw 2005-2013 / www.jeromeshaw.com

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"The Real Girl from Ipanema?" Ipanema, Rio de Janeiro, Brazil







The Real Girl from Ipanema - copyright Jerome Shaw 2005 / www.JeromeShaw.com
Street art in  Praca do Arpoador (Arpoador Park) in between Ipanema and Copacabana beaches depicts a humorous vision of the Real Girl from Ipanema.

"The Real Girl from Ipanema?"

This street art is located between Ipanema and Copacabana in Praca do Arpoador (Arpoador Park) near the beach. I am not sure the exact translation of the text on the wall but basically it suggests that this is what the true girls from Ipanema are like. I 'd have to say that this depiction, while humorous, is not entirely accurate.

The Velosos Bar-Cafe (now the Garota de Ipanema) is located a half mile away on Rua Vinícius de Moraes. It is here that Antônio Carlos Jobim and Vinicius de Moraes were purported regulars. Jobim first witnessed at tall tan girl pass by Velosos.  It was 17 year old Heloísa Eneida Menezes Paes Pinto that Jobim saw stroll by on here daily errands as well as on her way to the beach.  Jobim was inspired to write the music to "The Girl from Ipanema", Moraes penned the Portuguese lyrics and Heloísa became the original girl from Ipanema.

The photo was taken with a Nikon F100 film camera using a 28-200mm f 4.5 Tamaron lens. The film used for this image is FujiPress 800. The approximate exposure is f 8 @ 1/250th second.

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Street Art in Ipanema - Rio de Janeiro - Brazil
Originally Posted: : Dec 7, 2006 3:53 PM

copyright Jerome Shaw 2006 / www.jeromeshaw.com

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"Playing in the Surf" Copacabana Beach, Rio de Janeiro, Brazil







Maisa Playing in the Surf on Copacabana Beach Rio de Janeiro Brazil -copyright Jerome Shaw 2005 / www.jeromeshaw.com

"Playing in the Surf"

Maisa tries to keep her dress dry as she plays in the surf along the beach at Copacabana. I like this image for it's moment and the unguarded expression that it captures. The monochrome color scheme helps focus attention on the subject and the group of small figures on the right help balance the composition.

The photo was taken with a Olympus D590 digital camera on automatic exposure. The image is overexposed creating high key lighting in the overcast conditions.

This image was featured in my one man shows as a 13" x 19" / 33cm x 48cm digital print. Prints available for purchase

These images are copyrighted and may not be used, re-posted or reproduced without direct written permission.

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copyright Jerome Shaw 2005 / www.jeromeshaw.com

"A Toothy Grin" - Jardim Redentor, Rio de Janeiro, Brazil






A Tooth Grin-Jardim Redentor RJ, Brazil /copyright Jerome Shaw 2006 / www.jeromeshaw.com

"A Toothy Grin"

Robert flashes a toothy grin when I turn the camera on him on Rua Coelho Branco, Jardim Redentor. Robert is the brother of sisters Jennifer and Beatriz from the photo "You want a photo of ME?" published previously here on Travel Boldly.

Robert was plenty mad at me when he found out that I had brought his sisters a copy of the photo I had taken of them but had not brought one of him. Unfortunately, Robert's photo was shot earlier on a film camera and was not available until I returned to Colorado. I owe Robert a photo and will mail it soon. I look forward to seeing him again on my next trip to Brazil.

Condensed caption:
"A Toothy Grin"
Robert flashes a toothy grin on Rua Coelho Branco, Jardim Redentor,
Rio de Janeiro. Robert is probably still mad at me for bringing a photo
for his sisters but not for him. I'll get that photo to you Robert, I promise

This image was featured in my recent shows as a 13" x 19" / 33cm x 48cm digital print. Prints available for purchase

These images are copyrighted and may not be used, re-posted or reproduced without direct written permission.

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copyright Jerome Shaw 2005/ www.jeromeshaw.com

"Red Fish Grey Skies" - Rio de Janeiro, Brazil







"Red Fish ...Grey Skies"

Open-air market in Bairro Peixoto, Copacabana, Rio de Janeiro, Brazil

A market provides a endless supply of subjects. The people, the colors, the fruit, and well .... the fish. The subdued light of a heavy overcast enhances the colorless background and makes the red in the fish standout from the drab surroundings. The stark composition of this photo is enhanced by a limited color palette.

The photo was taken with a Nikon F100 film camera using a 180 mmmm f 2.8 Nikkor lens. The film used for this image is FujiPress 800. The approximate exposure is f 5.6 @ 1/250th second.

This image was featured in my recent shows as a 13" x 19" / 33cm x 48cm digital print. Prints available for purchase.

These images are copyrighted and may not be used, re-posted or reproduced without direct written permission.

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copyright Jerome Shaw 2006 / www.jeromeshaw.com

"Lost Pepper" - Bairro Peixoto Market in Copacabana, Rio de Janeiro, Brazil


Stranger in a Strange Land-Brazil.  copyright Jerome Shaw 2005 / www.jeromeshaw.com
One pepper crosses over to the other side in the market Bairro Peixoto in Copacabana district of Rio de Janeiro Brazil

"A Stranger in a Strange Land"

Pepper display in the open market in Bairro Peixoto in Copacabana.

The open-air market in Bairro Peixoto in Copacabana quickly became one of my favorite haunts
& a great place to buy food as well. The food and the people provide endless subject matter for photos. I am sure people wondered why I take so many photos in the market but many of my favorites from Brazil came from trips to various markets.

Make sure you try the tapioca with coconut and condensed milk when you visit this market.

The photo was taken with a Nikon F100 film camera using a 28-200mm f 4.5 Tamaron lens. The film used for this image is FujiPress 800. The approximate exposure is f 8 @ 1/250th second.

This image was featured in my recent shows as a 13" x 19" / 33cm x 48cm digital print. Prints available for purchase.

These images are copyrighted and may not be used, re-posted or reproduced without direct written permission.

Contact me at @JeromeShaw  or Facebook 

copyright Jerome Shaw 2005 / www.jeromeshaw.com

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