Quantcast
Showing posts with label Film Photography. Show all posts
Showing posts with label Film Photography. Show all posts

The King of the Incas. Inti Raymi / The Festival of the Sun at Sacsayhuamán in Cusco, Peru


The King of the Incas - Inti Raymi Celebration in Cusco, Peru  .Photograph byJerome Shaw / wwwJeromeShaw.com
The King of the Incas is borne on his throne as part of Inti Raymi . the Festival of the Sun celebration at Sacsayhuamán in Cusco, Peru.  Photo by Jerome Shaw 
Pin It


The King of the Incas. “Inti Raymi / The Festival of the Sun at Sacsayhuamán in Cusco, Peru”



The celebration of Inti Raymi (The Festival of the Sun) is a grand theatrical pageant set against the back drop of the ruins at Sacsayhuamán on a hill just outside of Cusco, Peru. The dramatic recreation of the original Incan festival that celebrates the return of the sun takes place on June 24th each year, a few days after the Southern Hemisphere’s winter solstice. Exactly why it takes place on the 24th rather than on the day of winter solstice is a matter of conjecture.  My opinion is that this was the date on which the ancient Incan “astronomers” could perceptibly detect the lengthening of the days thus could assure the populace that the sun had in fact consented return for another year.

In the photograph above the Ruler of the Incas is transported upon his throne by his subjects during the processional of Inti Raymi at Sacsayhuamán. People line the walls created by the incomprehensibly large stones. These walls were created by the workmen of the lower classes of Incan Empire in the 14th and 15th centuries. Each village or region was required to contribute manpower for the public works projects of the Inca Empire. This where the huge amount of manpower needed to move these massive stones, that were quarried at the river's edge and moved miles up hill to the stronghold of Sacsayhuamán, was derived. Since the empire of the Incas was comprised of several ethnic identities, each with a different language or dialect, the members of each region were organized into distinct work regimens that were assigned specific tasks. The entire project was overseen by a Incan architect with one region's work detail quarrying the stone, another providing the manpower to drag the stone up earthen ramps with huge ropes to the construction site and yet another gang of workers being entrusted with building the log structure that was used to lower the gargantuan stones into place on the wall. Yet another set of workers might well have been employed to do the final minute adjustment so that the stones fit together so perfectly that even centuries later and after dozens of earthquakes there is not room for a sheet of paper to fit in these precision stone seams.

 Photo via Wikipeda Commons
The stone walls of Sacsayhuamán are the work of many ethic groups brought together under the auspices of the Incan Empire in the 14th & 15th centuries.  The massive sones that from these walls were hauled miles uphill from the river's edge where they were quarried and fitted perfectly into place with seams so tight they have withstood centuries.  Photo via Wikimedia

The Incan name for their empire was Tawantinsuyu, or ”four parts together." In Quechua, the word Tawantin indicates a group of four things. (tawa = four) The suffix -ntin indicates a group and Suyu means region or province.  Tawantinsuyu roughly translates as "The four lands together."  At the height of its power Tawantinsuyu stretched some 2500 miles from the Southwestern tip of present-day Columbia through Ecuador and Peru down the West Coast of South America encompassing Western Bolivia and the Northern reaches of present-day Argentina and Chile. The height of the Incan empire was relatively short-lived covering only about 100-150 years.  The consolidation of small regional governments likely began in the 12th century but since the Incas had no written language it is difficult to know with precision when the Incan Empire began. But thanks to the Spanish Conquistadors ruthlessness and well-kept records it is certain when the Incan empire came to an end. Túpac Amaru, the last Incan King, was executed in 1572.
Map of the Incan Empire at its zenith before the Spanish Conquest in the 16th Century. Via Wikipedia Commons
Map of the Incan Empire at its 
zenith before the Spanish Conquest 
in the 16th Century. Via Wikimedia



Francisco Pizarro first entered the region of the Inca in 1526 and in less than 50 years he and the Spanish Conquistadors that followed him had decimated government structure that built paved roads across the empire, some up to 24 feet wide. The Inca had unified regional municipalities that spoke dozens of languages and stretched along almost the entire length of the West Coast of South America. The Inca had created monumental architecture that would be difficult to recreate today, ever with modern technology,  The political structure of the Inca gave women equal if not preferential status in the political process but this same ruling class also sacrificed hundreds of children upon the death of an Incan ruler. For all the their many accomplishments the Inca could not withstand the onslaught of disease and the treachery of a small band of Spanish Conquistadores. Their defeat was relatively swift and the incredible gold and silver wealth of the Incan Empire was larcenously and systematically transferred to the Spanish Crown with “bits and pieces” of it falling into the pockets of the conquistadors themselves.

An Incan Princess holds an offering to sun god Inti, Inti Raymi Celebration at Sacsayhuamán in Cusco, Peru  .Photograph byJerome Shaw / wwwJeromeShaw.com
An Incan Princess holds an offering to sun god
Inti, Inti Raymi Celebration at  Sacsayhuamán
in Cusco, Peru. Photograph by Jerome Shaw 
Prior to the Spanish invasion, Inti Raymi was the most important of four ceremonies celebrated in Cusco. The celebrations took place in the Haukaypata or the main plaza in the city. Inti Raymi (Festival of the Sun) was a religious ceremony of the Inca Empire in honor of the god Inti, one of the most venerated gods in Inca religion. It was in fact the celebration of the Winter Solstice - the day with the least amount of daylight of any day of the year. The last Inti Raymi with the Inca Emperor present was carried out in 1535.


The modern day recreation of the Inti Raymi Festival has been held at Sacsayhuamán since 1944  This first recreation of Inti Raymi was directed by Faustino Espinoza Navarro with indigenous people portraying the Inca and was largely based on the chronicles of Spaniard Garcilaso de la Vega.

Sacsayhuamán is not the only place to experience Inti Raymi. The festival is still celebrated in indigenous cultures throughout the Andes. The celebrations involve music, colorful costumes, notably the woven aya huma mask, and the sharing of food.




This post is part of the Travel Photo Discovery link share. Stop by and see my fellow bloggers posts.

Belly Dancer Sadie Sizzles while performing at a Denver NIghtclub

Pin It


Sadie Sizzles”


Sadie belly dances at Lotus Nightclub in Denver’s Union Station.

Sadie and Kaya perform at many of the area clubs and during fashion shows and other events. In this case I was there to cover the fashion show for a local magazine and found out my friend Sadie was performing prior to the fashion show. It was a great chance to make some high intensity images. Photographing in club conditions is always filled with obstacles but freezing Sadie’s many motions is a special challenge.
Travel Writing & Photography Workshop and Tour 
Santa Fe, NM  May 29 – June 1, 2014
I have photographed Sadie in the studio on several occasions both in her many costumes and in less.  A Break from Travel - Sadie Glance and Shadow Nude are two of my favorites.

Sadie and Kaya put on a great show... when you are in Denver make certain to catch their act.. http://www.kayaandsadie.com/

The photo was taken with a Nikon D100 digital camera using a 80-200 mm f 2.8 Nikkor lens. The ISO setting was 800 with an approximate exposure of f 5.6 @ 1/500th second.


These images are copyrighted and may not be used or reproduced without direct written permission. For usage information please contact Jerome on Twitter or on Facebook

“ Why Is That Guy Taking My Photo?” Horse cart Jardim Redentor, Rio de Janeiro, Brazil

Pin It

Horse Cart Jardim Redentor, Rio de Janeiro, Brazil .Copyright Jerome Shaw 2005 / www.JeromeShaw.com


Why Is That Guy Taking My Photo?”



The movement of goods by horse power is quite common in Jardim Redentor and other parts of Brazil. While I cannot recall seeing horses drawn delivery vehicles in Copacabana or Ipanema I did see many bicycle and motorcycle delivery vehicles. Perhaps this method of travel will reinvent itself in the US now that gas prices are rising toward international levels. Perhaps the US economy will truly have to join the rest of the world with what some might call a step backwards but what I’'d call progress... economic and environmentally friendly delivery methods.

A horse cart whizzes down the street in the Northwestern suburb of Rio de Janeiro moving at a surprisingly quick clip.  I swing in a panning motion to capture this moment. The driver of this cart ponders what could be so interesting about a passing horse cart that it would merit such an overt action and a photograph. His expression tells a lot about the cultural divide that exists from one part of the world to another. I hope this divide never fully closes.

The photo was taken with a Nikon F100 film camera using a 400mm f 4.5 Nikkor lens. The film used for this image is FujiPress 800. The approximate exposure is f 8 @ 1/250th second.

These images are copyrighted and may not be used, reposted, or reproduced without direct written permission.

Contact me at @JeromeShaw  or Facebook 

Copyright Jerome Shaw 2005 / www.JeromeShaw.com 



Good bye old friend - Kodachrome retires


10:52 AM  on December 30th, 2010 

One last Kodachrome lament.

In just a few minutes, in a small Kansas town, the last rolls of Kodachrome will be pulled from the K 14 soup and one of the early technological marvels of the 20th century will be no more. It was created in the 1930s and varied only slightly from its original formulation during the 74 years it was in production.

Kodachrome 64 (KR) 35mm 36 exposuresMany of my best and brightest images were created on Kodachrome.  When the Fall colors of Colorado's high country came calling in September I always had several rolls of KM 25 and my tripod with me.  But KR 64 was the workhorse and the last of the varieties of Kodachrome to be discontinued.  I shot my first rolls of Kodachrome in the 60s back in Nebraska and my last in Rio de Janeiro in the mid 00's, a span of almost 40 years. 


I'll miss having a couple of rolls of Kodachrome in my camera bag.

Good Bye Kodachrome - CBS Sunday Morning 

KodachromeThere Goes Rhymin Simon

Kodak PROFESSIONAL EKTACHROME E100G - Color slide film - 135 (35 mm) - ISO 100 - 36 exposuresFujifilm Fujichrome Velvia RVP 100 Color Slide Film ISO 100, 35mm Size, 36 Exposure, RVP100-36, Transparency.


Kodak C180 10 MP HD Digital Camera with 3x Optical Zoom and 2.4 LCD Screen (Silver)Kodak EasyShare C182 Digital Camera Bundle(Purple)
Kodak EasyShare Z981 14MP Digital Camera with Schneider-Kreuznach Variogon 26x Wide Angle Optical Image Stabilized Zoom Lens and 3.0 Inch LCD
Plustek OpticFilm 7600I SE Film Scanner


Inca Princess - Cusco, Peru








"Inca Princess" Cusco, Peru


The Inti Raymi Celebration at Sacsayhuaman in Cusco, Peru

As the Winter solstice comes to the southern hemisphere the people in Cusco recreate the grand Incan festival of Inti Raymi. The Incas worshipped the return of the sun and the beginning of the lengthening of daylight. This young woman is one of many that make a ceremonial offering to the gods to bring back the sun.

These images are copyrighted and may not be used, re-posted or reproduced without direct written permission. For usage information please contact me. @JeromeShaw on Twitter

Contact me at @JeromeShaw  or Facebook

copyright Jerome Shaw 1984 / www.jeromeshaw.com


>>>

"Trekking Andes Mountains" Urubamba River Valley, Peru





"Trekking Andes Mountains" Urubamba River Valley, Peru



The porters and trekkers wind their way up the trail as we climb out of the Urabumaba River valley and begin our trek to the once Lost Incan enclave of Machu Picchu. We will be on the trail for the next three days to reach our destination. We will cross 15,000 foot passes here in the Andes on our journey.

These images are copyrighted and may not be used, re-posted or reproduced without direct written permission.

Contact me at @JeromeShaw  or Facebook 

copyright Jerome Shaw 1984 / www.jeromeshaw.com

>>>

"Me and My Llama" Peru








"Me and My Llama" Peru



A Little Girl Hugs Her Baby Llama

The children of Peru are some of the most beautiful subjects for photography on the planet. Throw in a hug and a baby llama and how can't you miss.

Peru was one of the first times in my photographic career where I realized that I have a gift for photographing people. Up until I traveled to Peru I thought my photographic gift was in nature landscapes.  I enjoyed getting out into the backcountry and being alone. The rocks didn't talk back and you never had figure out how to pose a tree. But I began to notice that in my commercial photography business the assignments that were coming my way were mostly people oriented jobs.

I really didn't want to be pigeonholed into shooting only one genre of images.  I wanted to dabble in a little of this and little of that.  I wanted to take my 4x5 camera out and shoot nature landscapes but also do commercial ski and sportswear images,  Maybe a few B&W nudes every now and then.

I have since come to the conclusion that in commercial photography if you don't pick your pigeonhole someone will pick one for you.

Apparently the landscape nature images that populated my portfolio were not significantly different from many of the images other photographers that were vying for the same jobs were showing. My people images, however were a notch above the rest and I got more assignments involving photographing regular people and models in situations designed to look like they were just a momentary slice of real life even though some were highly manufactured and propped photo shoots.

This photo however, is just that a momentary slice of life in Peru. No props, no direction, just a little girl and her baby llama.

These images are copyrighted and may not be used, re-posted or reproduced without direct written permission.

Contact me at @JeromeShaw  or Facebook 
copyright Jerome Shaw 1984 / www.jeromeshaw.com


>>>

"Thoughtful Grey Hair" -Jardim Redentor, Rio de Janeiro, Brazil

Thoughful Grey Hair - Jardim Rendentor, Rio de Janeiro, Brazil - Copyright Jerome Shaw 2005 / www.JeromeShaw.com
One of the many scenes of daily life in the town of Jardim Redentor near Rio de Janeiro Brazil. 

Thoughtful Grey Hair

I enjoyed photographing in Jardim Redentor perhaps more than any where else during this my first visit to Brazil. Jardim Redentor is a Northwestern suburb of Rio de Janeiro a bit past the end of the Northern metro train line.

I enjoyed documenting the small moments of daily life in this rather large "small town."  Rio de Janerio is so very large with over 12 million people in the metro region. While part of this immense city, Jardim Redentor has all the qualities of a small town. I loved seeing life lived out in the open and on the streets.

I made a few photos of this thoughtful man with grey hair against this colorful background of empty beer crates, water bottles, and bags of what I guessed to be charcoal. Another of the ordinary moments of life in Jardim Redentor. This photo was made with a Nikkor 400mm lens both to capture a candid moment and to compress the space.  The photograph was made on transparency film then scanned to a digital file.

These images are copyrighted and may not be used, re-posted or reproduced without direct written permission.

Contact Jerome at @JeromeShaw  or Facebook 

copyright Jerome Shaw 2005-2013 / www.jeromeshaw.com



>>>

"Proud Smile" Jardim Redentor, Rio de Janeiro, Brazil





Proud Smile - Jardim Redentor - Rio de Janeiro, Brazil - copyright Jerome Shaw 2005 / www.jeromeshaw.com
"To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event."~Henri Cartier-Bresson

"Proud Smile"

I was out one day in Jardim Redentor walking along the main street. I noticed a woman in a beauty parlor.  She noticed me noticing her and smiled shyly. I asked Maisa to speak to her and ask her if I could take her photo. She was shy and reluctant at first. She and the other women in the shop had a good laugh and she wondered "why did I want to take her photo?" I told her she was a very beautiful woman, her hair looked so good, and she had such a nice face. She relented.

She came out into the street where the light was better.  I took three photos.. In the first she was very grim. In the second I managed to make her smile but she over smiled with forced nervousness in her eyes. However just fractions of a second after the forced smile the third frame was exposed. Her smile had softened slightly and her eyes had more warmth. A small and subtle difference but very noticeable.

I am sorry that I did not note her name. Though as we walked away Maisa told me that by asking for her photo I had made her day. She was extremely proud that I had asked to make her photo, Maisa said she will likely be smiling about this moment for weeks.

I was glad to give her this moment for she gave me a very nice moment too. I felt a warmth as we continued walking down the street. And, I revisit this warm feeling each time I see this photo.

Condensed Caption

"Proud Smile"
While on a walk along the main street in Jardim Redentor
I saw this woman in a beauty parlor. Coaxed out from the
shadows for a photo, she gives me a proud smile.


Contact me at @JeromeShaw  or Facebook 


copyright Jerome Shaw 2005 / www.jeromeshaw.com

"Papayas" Bairro Peixoto Market, Copacabana, Rio de Janeiro, Brazil

Standing sentry, the two shards of papayas glow with freshness in the market at
Bairro Peixoto in Copacabana.



"Papayas"

One of my favorite things to do was to go to the open air markets that were held in Copacabana not far from our apartment each Sunday and Wednesday. The market at Bairro Peixoto, held on Wednesday, was by far my favorite. Even in only the month that I was in Brazil, I began to know some of the market vendors. Or more precisely, I think it is fair to say, they began to know me, at least by sight. I always went to the market with my cameras. I stuck out like a sore thumb even without the tangle of photo gear twisted around my neck, but being towed around the market by Maisa I became even more noticeable.

I was forever being offered samples of papaya, mango, jackafruit, banana, and other fruits I often did not recognize. By the time I had circled the square I had a nice snack. It was not just a friendly gesture, as they were vying to curry favor with me for their products. They did this even knowing that it was not I but Maisa that was doing most of the shopping.

A trip to this market was a great treat for the taste buds and for the eyes. Many of my favorite photos from my time in Rio de Janeiro came from these forays to the open air markets. I did develop my favorite vendors and began to discern between the better and the best of them.

Now that I am back in Colorado I can barely tolerate the bananas we have here and I long for freshly made mango juice and a cold slice of papaya with my coco bread for breakfast.

Condensed Caption
"Papayas"

Standing sentry the two shards of papayas glow with freshness in the market at Bairro Peixoto in the Copacabana section of Rio de Janeiro, just blocks way from the famous beach.

These images are copyrighted and may not be used, re-posted or reproduced without direct written permission.

Contact me @JeromeShaw or Facebook


copyright Jerome Shaw 2006 / www.jeromeshaw.com

"Iris" Aspen, Colorado USA

Iris photographed near Aspen, Colorado. copyright Jerome Shaw 1978 / www.JeromeShaw.com
Iris photographed near Aspen, Colorado. 

"Iris" Aspen, Colorado USA

An old favorite, this photo is 35 years old and one of the first times I shot color film with much intention. I remember that it was spring in the Roaring Fork Valley and I had just moved down valley from Aspen. I was testing out new equipment I had purchased. I set up this photo late in the afternoon to take advantage of the low angle, warm light. I was very deliberate in how I controlled the depth of field and set up this composition.

While I have not made a career out of photographing flowers I seem to often photograph flowers as a part of my travel assignments. Even after all these years this remains one of my favorites.

These images are copyrighted and may not be used, re-posted or reproduced without direct written permission. For usage information please contact me via twitter @JeromeShaw or on Facebook

A map of our BOLD readers

Web Statistics